Students Research Bagan Murals to Safeguard Cultural Heritage
Foreign visitors show keen interest
in the history of Buddha images and mural-adorned pagodas, underscoring the
need for knowledgeable interpreters, while Myanmar’s unique ancient cultural
heritage — widely appreciated yet rare globally — remains both a source of
national pride and an important field of study and preservation for future
generations.
During the
reign of the Bagan kings in the 11th century AD, mural paintings were created
in pagodas, temples, Buddha images, and caves. Currently, university students
and researchers are able to conduct practical studies on mural paintings and
ancient works in these pagodas and temples. According to the Directorate of
Hotels and Tourism (Bagan Branch), the preservation of Myanmar’s ancient
heritage is a source of national pride.
Mural paintings can be found in 416 Bagan pagodas,
including Myinkaba Gubyaukgyi Pagoda, Lawkahteikpan, and Thanbula Pagoda.
“In the Bagan region, Buddha images and pagodas
with mural paintings are visited by both domestic and foreign tourists, as well
as university and private school students. The peak tourist season is in
December. University students often come for fieldwork and research papers. In
particular, they frequently ask about the differences in painting styles
between the early and late Bagan periods, how pigments were produced, how
brushes were used, and why painting techniques changed in stupas with mural
paintings.
“Foreign visitors are more interested in the
history of Buddha images and pagodas with mural paintings. Therefore, there is
a special need for interpreters who are knowledgeable in history. Foreign
visitors appreciate Myanmar’s ancient cultural heritage, which is not found in
many other countries, and it is a source of national pride that it can be
studied and researched by local students. In addition, preserving this ancient
heritage is also a matter of national pride,” said Assistant Director Daw San
San Myint of the Directorate of Hotels and Tourism (Bagan Branch).
During the Bagan era, mural paintings were created
on the walls and ceilings of pagodas, temples, and caves. Durable pigments were
developed and applied to the walls. Even when the surface layer has faded over
time, the underlying paintings can still be seen today. Researchers have also
recognized and praised the techniques used to prepare pigments during both the
early and late Bagan periods. — Thitsa (MNA)/MKKS

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