Thanaka to join UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity
Maung Yin Oo
MASS media is broadly used to raise
awareness and appreciation of Myanmar’s Thanaka cultural practice and
concerted efforts are being exerted to submit nomination proposal of Myanmar’s
Thanaka cultural practice by March 2025 to be inscribed on UNESCO’s
Representative List of the Intangible Cultural Heritage of Humanity
I was so ecstatic when I heard about
those cultural awareness campaigns of Myanmar’s Thanaka that is the legacy of
intangible attributes of Myanmar people to safeguard it for future generations
and to be submitted for UNESCO’s cultural heritage inscription. I have been a
big fan of Thanka who traditionally applies Thanaka to the face since I was
young. Therefore, I was overwhelmed by delight. I will be carried away with
euphoria when UNESCO adds it to its Intangible Cultural Heritage List.
Myanmar’s Thanaka culture has been
passed down from past generations. It can be profoundly traced in the murals
of temples in Gyubyaukgyi Temple founded in AD 1113 in Bagan ancient cultural
heritage site and Sulamani Temple founded in AD 1183 and murals of other
temples.
Additionally, Thanaka applying tradition
passing down through generations can be remarkably found in earliest works of
literature, stories, poems and folk songs, including mawgun, eigyin, pyo,
kagyin, maunghtaung, Lamai peasant girls’ poem and songs, representing deeper
symbolic meaning related to the cultural value and tradition rooted for
thousand years.
Myanmar people annually celebrate the
Thanaka Festival from the full moon of Thadingyut to the full moon of Tazaungdine
(31 October to 29 November) beyond the 12-month festival traditions.
Village girls and ladies from Khetthin
village in the north of Singu town, Mandalay Region apply Thanaka and Thanaka
powder put in bronze cup to pilgrims who flock to Shwe Taung Oo mountain pagoda
during the full moon of Thadingyut, signifying unique and beautiful Myanmar’s
Thanaka culture.
The word Thanaka, previously called
Thana-ka, is derived from Thana (dirt) and Ka (clearing or removing), meaning
removing the dirt. Thanaka is a paste made from ground bark which commonly
applies to Myanmar people for sun protection, perfume and beauty purposes. It
is believed to show a distinct feature of Myanmar people. This natural cosmetic
has cooling and soothing effects with good properties for skin. Thanaka is
highly admired by Myanmar’s royal courts to peasant ladies nowadays. Other
parts of Thanaka tree also have medicinal effects.
Thanaka is credited with medicinal
benefits with a warm effect in winter and cooling sensation during hot winter
to reduce body heat. This traditional product is highly appreciated and
cherished by the whole nation regardless of ages and genders.
Myanmar elder people usually talks about
the three basic values (Three Jewels: Buddha, Dharma and Sangha), paying
respect to parents and teachers and fostering patriotism towards one’s nation
and other inspirational and motivational messages while applying Thanaka to
younger people, passing down traditions to younger generations and representing
signs of the devotion, respect and love.
Moreover, Thanaka incense is offered to
Buddha during ritual face washing ceremonies at Mandalay MahaMyatmuni Temple
and Aungtawmu Pagoda in the early morning, unifying symbols of cultural pride
and drawing a daily crowd of devotees.
Thanaka can be found in Sri Lanka,
India, Thailand, Myanmar and Pakistan. Myanmar’s Thanaka is of premium quality
with pleasant and unique fragrance. Shinmataung and Shwebo Thanaka varieties
are the most popular among them. Applying Shwebo Thanaka gives one smooth skin
and yellowish beauty unlike Shinmataung Thanaka having a sweet and pleasant
smell.
Beyond beauty purposes, the whole
Thanaka trees (fruits, root, stem, leaves) have good properties and medicinal
benefits. Shwepyinan Company established Thanaka museum in NyaungU city in order
to disseminate information of Thanaka culture among young communities and
conserve cultural heritage. Myanmar Thanaka Planters and Producers Association
was formed on 11 November 2017 in order to safeguard cultural heritage and
penetrate Thanaka to international markets and raise public awareness in
cooperation with non-governmental organization Helvetas Myanmar.
The association organizes Thanaka beauty
pageants, Thanaka trade fair and Myanmar Thanaka Day events to pass Thanaka
culture on to the next generation and increase admiration for Thanaka.
Thanaka Day was marked on the full moon
day of Tabodwe, connecting Buddhist’s tradition of offering light and Thanaka
incense to Buddha. Events related to Thanaka including talk shows,
distributing pamphlets, donation and offering Thanaka paste to Buddha are held
in the precinct of Pagoda on the Thanaka Day.
The association’s statistics indicated
that there are 323,000 acres of Thanaka in Myanmar. The association comprises
growers and traders from Ayartaw, Shwebo, Kantbalu, Monywa, Myinmu, Butalin,
Kanni, Yinmabin, Pakokku, Myaing, Yesagyo, Pauk, Sittway and Langkho areas and
companies from big cities like Yangon, Mandalay and Nay Pyi Taw. Stakeholders
involved in the Thanaka supply chain are exerting continuous efforts to produce
value-added Thanaka products that were commercially valued in international
markets and preserving this heritage and passing it on to future generations
through documentation, education, community engagement and revitalization
maintaining core values and cultural identity.
Myanmar Thanaka culture has existed for
thousands of years. The earliest discovery of applying the Thanaka tradition
is back in the Bagan Dynasty. The poems written by King Yazadariz’s sprouse
(poet) in 14th
century and Shin Ratthasara, monk and prominent poet in 15th
century invoked Thanaka culture in literary work.
Furthermore, some communities have
traditions of holding the Thanaka Grinding Festival on the first day of the
Thingyan Festival and Buddha statues are washed by Thanaka paste, preserving
universal value.
Literary works in Bagan, Pyu dynasties
captured the essence of Myanmar Thanaka culture, providing a rich source of
Thanaka value and traditions of Myanmar people wearing it throughout history.
Inscriptions on Kyaukpyin stone slab
note the name of King Bayintnaung’s daughter Princess Dartukalaya, placed at
Shwemadaw Pagoda, revealing the solid culture of Thanaka in Taungoo dynasty.
Thanaka supplied to court in King
Alaungpaya Dynasty were sourced from Kaput village two miles away from the
south of Thihataw Pagoda in KhinU Township, Shwebo District, indicating a
notable history of Thanaka again.
Consequently, Myanmar Thanaka that
people of all ages and gender cherish and apply to face and body portrayed the
significance of the heritage throughout history. Myanmar people are committed
to preserving and promoting its culture by holding festivals stimulating
community engagement and keeping inventory of Thanaka heritage passing through
generations. Literary works and social events describing Myanmar Thanaka
tradition act as a window to Myanmar’s intangible cultural heritage. I would
like to express my deep respect to those endeavouring to submit nomination of
Thanaka as a cultural element by March 2025 to be inscribed on the UNESCO’s
list.
If Myanmar’s Thanaka culture and
tradition that has dominated for thousand years is recognized and listed by
UNESCO, it will be national pride and identity. I hereby would like to
appreciate their genuine and continuous efforts with Myanmar Thanaka promotion
and cultural awareness campaigns. I am praying from my heart for Myanmar
Thanaka to move forward to achieve UNESCO’s inscription.
Translated by KK


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